Joshiraku turns the everyday chatter of five young rakugo storytellers into a fast-moving comedy of references, digressions, and sharp satire. At the center are Marii Buratei, energetic but immature; Kigurumi Haroukitei, who looks cute and composed but is anything but simple; Tetora Bouhatei, carefree and blessed with uncanny luck; Gankyou Kuurubiyuutei, calm on the surface and violent when pushed; and Kukuru Anrakutei, pessimistic and emotionally unstable. Their conversations jump from pointless observations about daily life to politics, manga, and whatever absurd tangent catches their attention next, never quite ending where they started.
Most of Joshiraku takes place backstage at the rakugo theater or in famous locations around Tokyo, where the girls trade observations, jokes, and mock-philosophical banter while a mysterious masked wrestler friend occasionally joins the mix. The result is less a conventional plot than a showcase for personalities, timing, and comedy built from the contrast between rakugo tradition and the girls' chaotic modern commentary. Even when nothing important seems to happen, their exchanges keep stacking on one another until the conversation itself becomes the point.